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The Sharjah Art Foundation organizes its 15th edition of the annual March Meeting titled, The Postcolonial Constellation: Art, Culture, Politics after 1960 between March 9 -12, 2023.

The four-day program will convene artists, curators and art practitioners as well as students from around the world to discuss vital issues revolving around Sharjah Biennial 15 (SB15) overarching theme: Thinking Historically in the Present.

March Meeting 2023 (MM 2023) builds on the two previous iterations of the meeting—The Afterlives of the Postcolonial (MM 2022) and Unravelling the Present (MM 2021)—that were similarly conceived as part of the SB15 programming in relationship to the late Okwui Enwezor’s conception of the ‘Postcolonial Constellation’.

About the Theme: 

The Postcolonial Constellation: Art, Culture, Politics after 1960 examines the forces that have shaped the production and reception of art across the world from 1960 to the present, reconfiguring the cartographies of global modernism and contemporary art. It will offer discursive space to explore artistic, political and cultural positions traversing subalternity and self-determination, First Nation and Indigenous practices, creolisation, hybridity and supranational formations, such as the Black Atlantic, diasporas, exile and statelessness. It will thus constitute a dynamic intersection of artistic, ideological and philosophical perspectives on decolonisation—a field of scholarship originally developed within postcolonial studies.

Delineating a moment in which the notion of a consolidated nation-state is challenged by the remarkable resilience of individual, non-state and counter-institutional models of sovereignty, autonomy, identity and subjectivity, The Postcolonial Constellation studies the global political, social and economic systemic and structural shifts that have characterised our world since the 1960s. It does so by revisiting and reanimating the archives and histories of this period; by examining contemporaneous artistic and political practices, theories and cultural production testifying to that time and by presenting ideas, artists, artworks and critical theory that offer parallactic views of our convulsive world.

The Postcolonial Constellation reflects on the movements and interactions of artists, filmmakers, performers, thinkers, writers, philosophers, public intellectuals, activists, guerrilla movements and other societal actors within and beyond the limiting framework of the ‘sovereign nation-state’. To the extent that The Postcolonial Constellation understands the global present as intimately tied to histories of the postcolonial, MM 2023 and the other platforms of SB15 constitute critical spaces for ‘thinking historically in the present’.

Also featured on the program are The Africa Institute faculty namely, Christopher J. Lee, Professor of African History, The Africa Institute and Surafel Abebe, Assistant Professor, Performance Studies and Theory, The Africa Institute.

 

Download the March Meeting 2023 program here. Please check back for updates as the program is subject to change.

Register for March Meeting 2023 here.

The Sharjah Art Foundation organizes its 15th edition of the annual March Meeting titled, The Postcolonial Constellation: Art, Culture, Politics after 1960 between March 9 -12, 2023.

The Sharjah Art Foundation organizes its 15th edition of the annual March Meeting titled, The Postcolonial Constellation: Art, Culture, Politics after 1960 between March 9 -12, 2023.

The four-day program will convene artists, curators and art practitioners as well as students from around the world to discuss vital issues revolving around Sharjah Biennial 15 (SB15) overarching theme: Thinking Historically in the Present.

March Meeting 2023 (MM 2023) builds on the two previous iterations of the meeting—The Afterlives of the Postcolonial (MM 2022) and Unravelling the Present (MM 2021)—that were similarly conceived as part of the SB15 programming in relationship to the late Okwui Enwezor’s conception of the ‘Postcolonial Constellation’.

About the Theme: 

The Postcolonial Constellation: Art, Culture, Politics after 1960 examines the forces that have shaped the production and reception of art across the world from 1960 to the present, reconfiguring the cartographies of global modernism and contemporary art. It will offer discursive space to explore artistic, political and cultural positions traversing subalternity and self-determination, First Nation and Indigenous practices, creolisation, hybridity and supranational formations, such as the Black Atlantic, diasporas, exile and statelessness. It will thus constitute a dynamic intersection of artistic, ideological and philosophical perspectives on decolonisation—a field of scholarship originally developed within postcolonial studies.

Delineating a moment in which the notion of a consolidated nation-state is challenged by the remarkable resilience of individual, non-state and counter-institutional models of sovereignty, autonomy, identity and subjectivity, The Postcolonial Constellation studies the global political, social and economic systemic and structural shifts that have characterised our world since the 1960s. It does so by revisiting and reanimating the archives and histories of this period; by examining contemporaneous artistic and political practices, theories and cultural production testifying to that time and by presenting ideas, artists, artworks and critical theory that offer parallactic views of our convulsive world.

The Postcolonial Constellation reflects on the movements and interactions of artists, filmmakers, performers, thinkers, writers, philosophers, public intellectuals, activists, guerrilla movements and other societal actors within and beyond the limiting framework of the ‘sovereign nation-state’. To the extent that The Postcolonial Constellation understands the global present as intimately tied to histories of the postcolonial, MM 2023 and the other platforms of SB15 constitute critical spaces for ‘thinking historically in the present’.

Also featured on the program are The Africa Institute faculty namely, Christopher J. Lee, Professor of African History, The Africa Institute and Surafel Abebe, Assistant Professor, Performance Studies and Theory, The Africa Institute.

 

Download the March Meeting 2023 program here. Please check back for updates as the program is subject to change.

Register for March Meeting 2023 here.

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