search the africa institute site
In the culmination of scholarly depth and cultural vibrancy, The Africa Institute recently concluded its third symposium as part of its four-part series dedicated to Africa’s Indian Ocean rim, titled “Colorful Threads: The Interwoven Worlds of Art and Culture in the Western Indian Ocean.” The symposium, held from 14-16 December 2023 in Sharjah, UAE, explored diverse facets, from feminism and cinema to artmaking, echoing the dynamic complexities of the Indian Ocean rim.
This four-part series falls under the theme, “Thinking the Archipelago: Africa’s Indian Ocean Islands,” which is part of The Africa Institute’s year-round initiative, “Country-Focused Season,” dedicated to developing and supporting original scholarship and programming that expands understanding of African and African diaspora studies among the academic community and the broader public.
Following successful seasons focused on Ethiopia and Ghana in 2019 and 2022, respectively, the Indian Ocean region was chosen for its role as the ‘cradle of globalization’ and ‘center stage’ in the contemporary multipolar world. The Indian Ocean season thus far has completed two successful iterations dedicated to Africa’s Indian Ocean rim with themes on “Reimagining Mobilities/Immobilities in the Indian Ocean“, which took place in December 2022 in Sharjah, UAE, followed by “Legacies of Race and Slavery in the Atlantic and Indian Oceans“, held in June 2023 in Zanzibar.
“Bounded by the continents of Africa, Asia, and Australia, the Indian Ocean has been a critical route for centuries bearing witness to remarkable circularities. With this season’s focus, diverse scholars highlight the multitudinous forces shaping Africa’s Indian Ocean islands, enabling us to interpret Africa’s history, understand its present, and imagine its future,” said Dr. Salah M Hassan, Director, The Africa Institute, Sharjah.
Organized by The Africa Institute in collaboration with leading scholars Jeremy Prestholdt, Professor of History at the University of California, San Diego; Rogaia Mustafa Abusharaf, Professor of Anthropology at Georgetown University in Qatar; and Uday Chandra, Assistant Professor of Government at Georgetown University in Qatar, this symposium is co-organized by Prita Meier, Associate Professor of Art History at New York University, and Laura Fair, Professor of African History in the Department of Middle Eastern, South Asian, and African Studies at Columbia University.
As the Country-Focused Season progresses, the symposium, “Colorful Threads,” celebrated the Islands of the Western Indian Ocean, emphasizing their historical, socio-cultural, and economic significance. Scholars, writers, artists, and activists engaged in four-panel discussions, covering Women, Feminism, and the Indian Ocean; Material Connections and Rupture; Cinema and Placemaking; and Representations and Imaginaries.
“These themes deserve consideration not only in comparison with other world regions but also because, unlike its Atlantic and Mediterranean counterparts, the Indian Ocean’s unique nexus of trans-local relationships has never received the attention it merits,” said co-convenor Professor Prestholdt.
Co-organizer Prita Meier, Associate Professor of Art History at New York University, shared in her opening address, “This symposium brings scholars together from diverse fields and disciplines to reposition the Indian Ocean world at the center of global art history. Their contributions address pressing issues regarding the cultural dimensions of globalization by foregrounding the significance of oceans and maritime environments in shaping our world. Individual papers thematize such diverse topics as the oceanic mobility of photography, the transcultural reach of island architecture, and cinematic representations of archipelagic life worlds.”
Looking Ahead: The Final Act of the Country-Focused Season
As the curtain falls on “Colorful Threads,” it provides a poignant segue into the final act of the series, titled “Intertwined Ecologies and Interconnected Histories: The Indian Ocean Rim,” scheduled for Mauritius in 2024. The symposium hosts environmental historians, anthropologists, climate scientists, and marine biologists who will continue to bridge gaps, foster dialogue, and shape a narrative that emphasizes the environmental challenges and cultural richness of the Indian Ocean Rim.
This symposium series is not confined to academic circles but extends an open invitation to the public, with all conference proceedings accessible on The Africa Institute’s YouTube channel.
In addition to the Country-Focused Season, The Africa Institute is making significant contributions to Indian Ocean studies through its collaboration with Duke University Press in publishing “Monsoon: Journal of the Indian Ocean Rim.” Edited by Rogaia Mustafa Abusharaf and Jeremy Prestholdt, this interdisciplinary journal addresses a gap in existing literature, exploring the cultural, historical, and political dynamics of Indian Ocean coastal societies. Published biannually, Monsoon aims to enhance the visibility of Indian Ocean studies, fostering conversations about the societies, arts, and cultures of the basin. It represents a critical resource in oceanic and global studies, offering original research and engaging a broad audience.
In the culmination of scholarly depth and cultural vibrancy, The Africa Institute recently concluded its third symposium as part of its four-part series dedicated to Africa’s Indian Ocean rim, titled “Colorful Threads: The Interwoven Worlds of Art and Culture in the Western Indian Ocean.” The symposium, held from 14-16 December 2023 in Sharjah, UAE, explored diverse facets, from feminism and cinema to artmaking, echoing the dynamic complexities of the Indian Ocean rim.
In the culmination of scholarly depth and cultural vibrancy, The Africa Institute recently concluded its third symposium as part of its four-part series dedicated to Africa’s Indian Ocean rim, titled “Colorful Threads: The Interwoven Worlds of Art and Culture in the Western Indian Ocean.” The symposium, held from 14-16 December 2023 in Sharjah, UAE, explored diverse facets, from feminism and cinema to artmaking, echoing the dynamic complexities of the Indian Ocean rim.
This four-part series falls under the theme, “Thinking the Archipelago: Africa’s Indian Ocean Islands,” which is part of The Africa Institute’s year-round initiative, “Country-Focused Season,” dedicated to developing and supporting original scholarship and programming that expands understanding of African and African diaspora studies among the academic community and the broader public.
Following successful seasons focused on Ethiopia and Ghana in 2019 and 2022, respectively, the Indian Ocean region was chosen for its role as the ‘cradle of globalization’ and ‘center stage’ in the contemporary multipolar world. The Indian Ocean season thus far has completed two successful iterations dedicated to Africa’s Indian Ocean rim with themes on “Reimagining Mobilities/Immobilities in the Indian Ocean“, which took place in December 2022 in Sharjah, UAE, followed by “Legacies of Race and Slavery in the Atlantic and Indian Oceans“, held in June 2023 in Zanzibar.
“Bounded by the continents of Africa, Asia, and Australia, the Indian Ocean has been a critical route for centuries bearing witness to remarkable circularities. With this season’s focus, diverse scholars highlight the multitudinous forces shaping Africa’s Indian Ocean islands, enabling us to interpret Africa’s history, understand its present, and imagine its future,” said Dr. Salah M Hassan, Director, The Africa Institute, Sharjah.
Organized by The Africa Institute in collaboration with leading scholars Jeremy Prestholdt, Professor of History at the University of California, San Diego; Rogaia Mustafa Abusharaf, Professor of Anthropology at Georgetown University in Qatar; and Uday Chandra, Assistant Professor of Government at Georgetown University in Qatar, this symposium is co-organized by Prita Meier, Associate Professor of Art History at New York University, and Laura Fair, Professor of African History in the Department of Middle Eastern, South Asian, and African Studies at Columbia University.
As the Country-Focused Season progresses, the symposium, “Colorful Threads,” celebrated the Islands of the Western Indian Ocean, emphasizing their historical, socio-cultural, and economic significance. Scholars, writers, artists, and activists engaged in four-panel discussions, covering Women, Feminism, and the Indian Ocean; Material Connections and Rupture; Cinema and Placemaking; and Representations and Imaginaries.
“These themes deserve consideration not only in comparison with other world regions but also because, unlike its Atlantic and Mediterranean counterparts, the Indian Ocean’s unique nexus of trans-local relationships has never received the attention it merits,” said co-convenor Professor Prestholdt.
Co-organizer Prita Meier, Associate Professor of Art History at New York University, shared in her opening address, “This symposium brings scholars together from diverse fields and disciplines to reposition the Indian Ocean world at the center of global art history. Their contributions address pressing issues regarding the cultural dimensions of globalization by foregrounding the significance of oceans and maritime environments in shaping our world. Individual papers thematize such diverse topics as the oceanic mobility of photography, the transcultural reach of island architecture, and cinematic representations of archipelagic life worlds.”
Looking Ahead: The Final Act of the Country-Focused Season
As the curtain falls on “Colorful Threads,” it provides a poignant segue into the final act of the series, titled “Intertwined Ecologies and Interconnected Histories: The Indian Ocean Rim,” scheduled for Mauritius in 2024. The symposium hosts environmental historians, anthropologists, climate scientists, and marine biologists who will continue to bridge gaps, foster dialogue, and shape a narrative that emphasizes the environmental challenges and cultural richness of the Indian Ocean Rim.
This symposium series is not confined to academic circles but extends an open invitation to the public, with all conference proceedings accessible on The Africa Institute’s YouTube channel.
In addition to the Country-Focused Season, The Africa Institute is making significant contributions to Indian Ocean studies through its collaboration with Duke University Press in publishing “Monsoon: Journal of the Indian Ocean Rim.” Edited by Rogaia Mustafa Abusharaf and Jeremy Prestholdt, this interdisciplinary journal addresses a gap in existing literature, exploring the cultural, historical, and political dynamics of Indian Ocean coastal societies. Published biannually, Monsoon aims to enhance the visibility of Indian Ocean studies, fostering conversations about the societies, arts, and cultures of the basin. It represents a critical resource in oceanic and global studies, offering original research and engaging a broad audience.
Subscribe to our mailing list and get the latest news from The Africa Institute
